Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Baciccio
Self-Portrait

ID: 28883

Baciccio Self-Portrait
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Baciccio Self-Portrait


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Baciccio

Italian Baroque Era Painter, 1639-1709 Baciccia Giovanni Battista Gaulli   Related Paintings of Baciccio :. | Adoration of the Name of Jesus | Portrait of Cardinal Leopoldo de Medici | Self-Portrait | Cardinal Leopolado de'Medici | The Apotheosis of St. Ignatius |
Related Artists:
CARPACCIO, Vittore
Italian High Renaissance Painter, ca.1450-1525
Christian Stocklin
Christian Stöcklin Germany (Geneve 1741 -Frankfurt 1795 ) - Painter
Carlos de Haes
Spanish 1826-1898 Carlos de Haes Galleries Spanish painter of Belgian birth. In 1835 he moved with his parents to M?laga, where he studied under the court portrait painter and miniature painter Luis de la Cruz y R?os (1776-1853). In 1850 he returned to Belgium and studied with the landscape painter Joseph Quineaux (1822-95). During his studies there and on his travels in France, Germany and Holland, he became acquainted with contemporary Realist trends. He returned to Spain in 1855, becoming a naturalized Spaniard, and the following year he exhibited numerous landscapes at the Exposici?n Nacional, Madrid, to much acclaim. In 1857 he won the competition for the fourth chair of landscape painting at the Escuela de Bellas Artes in Madrid with View of the Royal Palace from the Casa de Campo (1857; Madrid, Real Acad. S Fernando), a work showing characteristics of the Barbizon and Fontainebleau landscape schools. In 1860 he was elected Acad?mico de m?rito at the Real Academia de S Fernando in Madrid. By 1861 he was officiating and drawing up the regulations for the landscape competitions for aspiring pensionnaires. Consequently plein-air works came to be required in place of the previous tradition of submitting historical landscapes executed in the studio, a practice that discouraged the study of nature. De Haes suggested that only final corrections should be made in the studio, an attitude that indicates his timid initiation and acceptance of Realist trends.






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