Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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unknow artist
Still life floral, all kinds of reality flowers oil painting 370

ID: 48377

unknow artist Still life floral, all kinds of reality flowers oil painting  370
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unknow artist Still life floral, all kinds of reality flowers oil painting  370


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unknow artist

  Related Paintings of unknow artist :. | Arab or Arabic people and life. Orientalism oil paintings 225 | Portrait of a man,head and shoulders,wearing a grey jacket and a white cravat | Arab or Arabic people and life. Orientalism oil paintings 234 | A Woman standing before an entrance to a house | The Love Birds |
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Massimo Stanzione
(also called Stanzioni; c. 1586 - c. 1656) was an Italian Baroque painter, mainly active in Naples. Massimo Stanzione was an Italian Baroque painter. Born in Naples in 1586, Massimo was greatly influenced by Michelangelo Merisi da Caravaggio, but what earned him the nickname of The Neapolitan Guido Reni was his sophisticated and graceful style. The thing that distinguished Massimo art from Carravaggism was that he combined Caravaggio dramatically lit and brutally realistic style with the classical and lyrical manner of Bolognesi painters. Though his preliminary training is uncertain, it is thought that he studied with Fabrizio Santafede; however, most of the influence he received was from Caravaggio. Art historians believe that Stanzione developed his career as an artist in Rome. It is thought that he bagan his career as a portraitist. Some of his most famous works include Portrait of a Woman in Popular Costume, and Portrait of Jerome Banks. Between 1617 and 1630, it is believed that he traveled between the papal city and his hometown of Naples exploring different styles of art. Also influenced by Caravaggio were Artemisia Gentileschi, Simon Vouet, and Carlo Saraceni. During Stanzione career a movement that changed the style of art was formed. Stanzione was a part of this movement. This movement transformed the dark, contrasted Caravaggio-styled art into Bolognese colorism and soft art.
Anthonie van Borssom
(January 2, 1631, Amsterdam - march 19, 1677, Amsterdam), was a Dutch Golden Age landscape painter. According to the RKD he was an Italianate landscape painter who copied works of popular landscape painters of his day in Amsterdam such as Jacob van Ruisdael, Paulus Potter, Aelbert Cuyp (church interieurs), Nicolaes Berchem, Philips Koninck, Jan Wijnants, Aert van der Neer (moonlit landscapes), and Cornelis Vroom. He lived and worked in Amsterdam but made a trip in 1650-1655 along the Rhine and spent time in Kleve.He was buried in the Westerkerk.
GHIRLANDAIO, Domenico
Italian Early Renaissance Painter, 1449-1494 Florentine painter, whose family name was Bigordi. He may have studied painting and mosaics under Alesso Baldovinetti. Ghirlandaio was an excellent technician. Keenly observant of the contemporary scene, he depicted many prominent Florentine personalities within his religious narrative paintings. Among his earliest frescoes are the Madonna with the Vespucci Family and the Last Supper (Church of the Ognissanti, Florence). He painted scenes from the life of Santa Fina (collegiate church in San Gimigniano) and frescoes in the Palazzo Vecchio, Florence. In 1481, Pope Sixtus IV called him to Rome, along with Botticelli, to decorate the Sistine Chapel. He painted the Calling of the First Apostles, a scene close in spirit to Masaccio. He returned to Florence to work on the frescoes in the Sassetti Chapel in Santa Trinita. He introduced Sassetti, Corsi, Poliziano, the Medici, and many other contemporaries as participants in the life of St. Francis. Ghirlandaio's most famous achievement is his fresco cycle of the life of Mary and St. John the Baptist for the choir of Santa Maria Novella. Michelangelo served an apprenticeship with him at this time and probably worked on these frescoes. Other examples of his art are the Adoration of the Magi (Uffizi); another Adoration (Hospital of the Innocents); a mosaic of the Annunciation for the Cathedral; a portrait of Francesco Sassetti and his son (Metropolitan Mus.);






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