Harald Oskar Sohlberg (29 September 1869?C19 June 1935) was a Norwegian Neo-romantic painter, particularly known for his depictions of the mountains of Rondane and the town of Røros. His perhaps most well-recognized painting is his 'Fisherman's Cottage' from 1907.  Related Paintings of Harald Sohlberg :. | Fiskerens stue | Fra Roros | Fra Roros | Lillegaten Roros | Efter snestorm, Lillegaten Roros |
Related Artists:
Joseph Melling
Joseph Melling (1724-1796)
Leopold Graf Von Kalckreuth
1855-1928,German painter and etcher. The son of the late Romantic landscape painter Eduard Stanislaus, Graf von Kalckreuth (1820-94), he studied from 1875 to 1878 under Ferdinand Schauss (1832-1916), Willem Linnig (1819-85) and Alexander Struys (1852-1941) at the Kunstschule in Weimar founded by his father. In 1879, after military service, he enrolled at the Akademie in Munich, where he attended Gyula Benczer's drawing classes and continued his study of painting under Karl Theodor von Piloty and Wilhelm von Diez (1839-1907). In 1883 he travelled to the Netherlands and then to Italy and France. In 1885 he accepted a teaching appointment at the Kunstschule in Weimar, but in 1890 he resigned and returned to Munich. During the next five years he worked at Heckricht in Silesia (now Jedrzychowice, Poland), perfecting his oil technique. In 1892 he was a founder-member of the Munich Secession. Kalckreuth's work from this period reflects the influence of several contemporaries; the portrait of the Artist's Wife of 1888 (Leipzig, Mus. Gesch.) recalls the portraits of Franz von Lenbach and Max Liebermann, while the visionary element brought to the genre scene Rainbow (1894-6; Munich, Neue Pin.) is close to the work of Fritz von Uhde.
Philips Koninck
1619-1688 Dutch Philips Koninck Gallery Little is known of his history except that he was said to be a pupil of Rembrandt, whose influence is to be seen in much of his work. He painted chiefly broad, sunny landscapes, full of space, light and atmosphere; they are seen from a high perspective, allowing a prominent view of the sky. Portraits by him, somewhat in the manner of Rembrandt, also exist (e.g. see Joost van den Vondel); there are examples of these in the galleries at Copenhagen and Oslo. Of his landscapes, the principal are View at the mouth of a river at the Hague, with a slightly larger replica in the National Gallery, London; Woodland border and countryside (with figures by Adriaen van de Velde) at Amsterdam; and landscapes in Brussels, Florence (the Uffizi), Berlin and Cologne. Koninck, a prosperous businessman, appears to have painted few pictures during the last decade of his life. Several of his works have been falsely attributed to Rembrandt and many more to his namesake and fellow townsman Salomon de Koninck (1609-1656), also a disciple of Rembrandt, whose paintings and etchings consist mainly of portraits and biblical scenes. Both of these painters are to be distinguished from David Koninck (1636?-1687), also known as Rammelaar. David Koninck was born in Antwerp and studied there under Jan Fyt. He later settled in Rome, where he is stated to have died in 1687; this, however, is doubtful. His pictures are chiefly landscapes with animals and still life.