Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Arthur Bowen Davies
Four Figures (1911) by Arthur B. Davies

ID: 94467

Arthur Bowen Davies Four Figures (1911) by Arthur B. Davies
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Arthur Bowen Davies Four Figures (1911) by Arthur B. Davies


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Arthur Bowen Davies

1862-1928 Arthur Bowen Davies Gallery Arthur Bowen Davies (September 26, 1863 ?C October 24, 1928) was an avant-garde American artist. He was born in Utica, New York and studied at the Chicago Academy of Design from 1879 to 1882. He briefly attended the Art Institute of Chicago and then moved to New York City where he studied at the Art Students League. Davies was a principal organizer of the 1913 Armory Show and was a member of The Eight, a group of painters including five associated with the Ashcan school: William Glackens (1870-1938), Robert Henri (1865-1929), George Luks (1867-1933), Everett Shinn (1876-1953) and John French Sloan (1871-1951), along with Arthur B. Davies (1862-1928), Ernest Lawson (1873-1939) and Maurice Prendergast (1859-1924). Davies is best known for his ethereal figure paintings. He worked as a billboard painter, engineering draftsman, and magazine illustrator.  Related Paintings of Arthur Bowen Davies :. | Every Saturday | Four Figures (1911) by Arthur B. Davies | Every Saturday | Across the Harbor | Mountain Beloved of Spring |
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Isaac Fuller
c.1606--72 English painter. He was renowned in his day for large historical, mythological and biblical subjects but was also a very able portrait painter. According to Vertue, he studied under Fran?ois Perrier in France c. 1630, and in 1644 he is documented as working in Oxford, at the same time as William Dobson. There he painted altarpieces, including a Resurrection for All Souls College (a wild imitation of Michelangelo, which John Evelyn considered 'too full of nakeds for a chapel'), a Last Judgement for Magdalen College and a Last Supper for Wadham College. None of these works is known to survive. He also copied Dobson's Beheading of John the Baptist, substituting the heads with portraits of his friends. On moving to London, Fuller worked on decorative schemes for churches, taverns and private houses and continued to paint portraits. In 1654 he published a drawing book, Un libro di disegnare, with 15 etched plates, but there are no known copies. Much of his decorative work was destroyed in the Great Fire in 1666, including that in the Painters' Hall and St Mary Abchurch. Vertue admired his erotic life-size Bacchic figures in the Mitre Tavern in Fenchurch Street. Five crudely painted canvases commemorating the Adventures of Charles II after the Battle of Worcester in 1651 (London, N.P.G.) are his only surviving decorative works. Fuller's reputation as a painter rests mainly on three variants of a Rembrandtesque Self-portrait (1670; Oxford, Bodleian Lib.; Oxford, Queen's Coll
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Henri Evenepoel
Belgian, 1872-1899 was a Belgian artist whose most important works are associated with Fauvism. He first studied art in Brussels at the Acad??mie des Beaux-Arts between 1889 and 1890, and entered Paris's Ecole des Beaux-Arts in 1892. Evenepoel entered the atelier of Gustave Moreau in 1893, which put him in contact with Henri Matisse and Georges Rouault. The artist debuted a portrait of his cousin (Louise in Mourning) at the 1894 Salon des Artistes Français. He showed four portraits at the Salon du Champ-de-Mars in 1895 and continued to exhibit there until his death. His first solo exhibition came at the Brussels Cercle Artistique (December 1897 C January 1898). Family and friends were the artist's preferred subjects; his full-length portraits, often against a neutral background, show the influence of Edouard Manet and James Abbott McNeill Whistler. His Parisian scenes were influenced by Henri de Toulouse-Lautrec and Jean-Louis Forain.






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